This week’s selective focus subject has appeared on PDD before; doing the Robot on every street corner in Duluth. He even made the Best Videos of 2014 list. Even more impressive than his dance moves are his paintings. He’s also an animator and filmmaker. Jonathan Thunder tells about his diverse work.
With Selective Focus, we plan to highlight a variety of visual artists, giving some exposure to people working in disciplines that don’t immediately come to mind. This week, we have one of those people. Sasha Howell tells us about her corner of the design world.
SH: I am a costume designer! I work with local theatre and film groups in designing and implementing a costume design – usually my own. I also dabble in my own fashion design and anything to do with clothing and textile – shoes, accessories, hair, etc. I originally started student life at UMD with a Studio Art major and quickly realized it wasn’t exactly what I was looking to do – creatively. So I switched to a Studio Art MINOR and gravitated towards the Theatre department because, to me, that was a much more practical and exciting use of my talents and interests. I became quick friends with all the right people and worked closely with the costume shop there. I instantly fell in love with costumes because with EVERY new show there was opportunity to learn new techniques, new history, and to try something new! I quickly became known in town for costumes and demand started to increase. On average, I’m working on at LEAST 2 overlapping shows, but always tossing around ideas on several shows at once. On the side, I also paint abstract series and enjoy making jewelry.
This week’s Selective Focus profile subject is Jordan Sundberg, an illustrator and designer with a deceptively simple style. She tells her story below.
Marian Lansky is part of the team the operates the Kenspeckle Letterpress, one of the most interesting, fun studio/shops in town. It combines centuries-old art processes with modern technology to create loads of great work. There will be an Earth Day open studio and shop on Saturday, April 23, from 11 a.m. to 4 p.m. on the second floor of the DeWitt-Seitz Marketplace, an opportunitity to stop in and see the work and meet the artist. Marian and her husband, Rick Allen, will also be a part of Siivii’s Earth Day show, just across the alley from DeWitt-Seitz.
Below, Marian explains her work and process in her own words.
Starting this week, Selective Focus is changing direction. Instead of variations on a weekly theme as before, we will be posting brief profiles of visual artists and happenings around the area. We start it off with a collaborative project between UMD students and elementary students.
Hansi Johnson, untitled
Somehow this seems both an apt and inapt way to close my editorship of this feature. There are plenty of sites to pore over images of our region’s abundant natural beauty, but few that foreground the real people who live, work, and play here. That was my fundamental ambition; to recognize the vast human capital here, to weekly call for snapshots, pictures of domestic ordinariness, matters not needlessly prettified. Reality, even when it’s harsh is sufficiently beautiful to me.
Sharon Mollerus, “Water Lillies”
I was fortunate to spend my first Arrowhead New Years Eve in a cabin in Jay Cooke State Park; bird watching, snow-shoeing, and far from the inebriates (though I did bring a flask). Even photographed a ghost buck (pictured below), warmed by a cedar and oak fire as a soft snow fell to welcome 2016. It was a grand introduction to the St. Louis River.
For the next two weeks Selective Focus will take part in the “One River, Many Stories” project which asks for tales of your relationship to this unique watershed. This week we’re concentrating on the river’s abundant natural beauty; a place for restive contemplation, and awe. Be sure to see the Duluth Art Institute’s kick-off the project on Monday, April 4, with a photo essay by Ivy Vainio, Tom Hollenhorst’s interactive maps, live drumming, and a video booth with PBS’s Karen Sunderman who’ll record your stories.
Christine Dean, untitled
The recent spate of lovely weather, coinciding with the vernal equinox, is a trap. We know this, yes? Having seen it snow in June, and still, we live in hope. There are gardens to ready, trails to follow, newborns to raise. Spring, tantalizingly close, isn’t for the timid, the reclusive, or the misanthropic. It’s time to be an upright, active being again until Summer’s indolence overtakes us.
Mike Scholtz, untitled
Being an iconoclast means more than seeming stereotypically outré, a fringe figure, or intentionally marginal. This week features the ordinary people among us who get things done by merely digressing from convention; age, gender, and appearance have little to do with the capacity to shift the discourse, and affect communities — though a dash of eccentricity, sometimes humor doesn’t hurt. Difference is also a mental state; taking the road less traveled or asserting a dissenting view (as in Ann Klefstad’s piece, or Bryan French’s image from the Berlin Wall).
In April, Perfect Duluth Day’s weekly Selective Focus feature will devote two themes to the “One River, Many Stories” project, which asks for tales of your relationship to the St. Louis River. I’m drawn to it’s dualistic character as a forum for both contemplation and recreation, so April 1’s theme will foreground the river’s natural beauty, and April 8 will spotlight its possibilities for play. Feel free to send images as soon as you’re able to tim @ perfectduluthday.com, and follow the “One Rivers” project at onerivermn.com
Cheryl Reitan, “Black Cat”
Many thoughtful people have rightfully lamented the gutting of funding for arts education to privilege more “useful” studies. But there are also the limitations we impose on ourselves, and the diminishment of what many of us once so much enjoyed (“I loved to paint and draw as a kid…”). Art too often becomes something we let go to follow well-rutted roads, to conform, and to not stand apart.
Hugh Reitan, “Snowmen”
We’ve had prettier Selective Focus features, but there can be an unusual beauty in ugliness, even humor, as Hugh Reitan’s image above demonstrates (or there’s just abject horror as with Aaron Reichow’s current submission).
Paul McIntyre, untitled
Who would have that thought simplicity should be so difficult? What we leave out of a picture says volumes over that which we cram into one, at least according to my aesthetic principles. Given the visual clutter I’m daily exposed to, my preferences would seem to be in the minority, so it was gratifying to see some consonant souls this week.
Christine Dean, “Shuffleboard”
Last year my folks moved into senior housing. While it must have been traumatic to leave a home of 45 years, to abandon treasures from a lifetime of travels, and to part with thousands of photographs, they’ve created a miniature version of the life they knew, and found friends who were similarly diminished — but not lain low.
Sarah Jean, untitled
Given our theme, this week’s images could easily have veered into cloying territory. Thankfully I received many uniquely interpreted shots, and some that are even exceptionally moving. I’m grateful how this feature included our older loved ones; a population often disregarded in visual art. Let’s remedy that next week by dedicating a theme to our “elders.”
