Saturday Essay Posts

In Memoriam: Duluth Artist Max Moen

Anyone within the sound of my voice, the artworks of Max Moen must be found and saved. I interrupted his dying days begging him to grant me a custodial role regarding his body of work. I think mostly of his collages which I greatly admire, surrealist masterpieces. I told him I’d arrange a show and self-publish a collection at my own expense, because the world must know. At the time he told me they were boxed in a car in another state, and I feared I was taxing him as he fought the cancer. I think he got that car back but I let it go; he was too busy dying and I didn’t want to be that guy. At least I impressed upon him that I considered him an artist with a capital “A.”

Sadly I have none of his work to share with you today. He had some examples on his old Facebook page but he took it all down. I remember searching his photos to copy them but he’d already deleted the lot. He did that sometimes.

Times I Was Secretly High: An Apology Letter

Well, it looks like it’s finally going to be legal to smoke weed for funsies in Minnesota, which is terrific news for all of the people languishing in jail for smoking or dealing weed for funsies in Minnesota. Law is the ultimate example of the abject arbitrariness of reality: we have an entire system of rules and consequences established around the specious assertion that smoking weed, and all practices associated with it are, well, objectively bad. And not just rules and consequences, an elaborate — and until very recently, shared — ethos that avers a deep and persistent truth: using marijuana is dangerous and wrong. What a hoot.

Being a human is such absurdity, most of the time — how does anyone keep a straight face? Like so many of you, I have struggled with some of the more frittersome or idiosyncratic morae introduced as inalienable verities: men do this, women are that, and you’re either one or the other; these are the ways we cover our bodies with cloth, but these ways are terrible and wrong; these animals are great to eat, but these ones are friends … Sometimes, the whole world seems like a very elaborate game of make believe we’re all playing together. Through the right lens, even the houses we live in, with two sinks in the bathrooms, secret refrigerators, walk-in closets — it’s all like some fantastical fever dream.

Avant-Garde Women: Gertrude Stein Makes No Sense

Stylistically it is appropriate to link Gertrude Stein’s experimental 1914 book Tender Buttons: Objects, Food, Rooms to Dadaism, because the book makes no sense. It pre-dates Dada’s 1916 anarchic language-destroying sound poetry, so we can’t say the Dadaists invented nonsense. Perhaps we can say the Dadaists invented “sheer nonsense.” Stein hadn’t taken it quite that far. But Tender Buttons began her mission to explore the strange new worlds of the sense/nonsense boundary.

Else Lasker-Schüler explored that same boundary in 1913, in her language-subverting experiments that also influenced Dadaism. The Dadaists paid homage to, and expanded, Lasker-Schüler’s work: her “nonsense sound poetry in Berlin cabarets, poems that would be used a few years later by the Zurich dadaists in the Cabaret Voltaire” (Baroness Elsa by Irene Gammel, pp. 146-147). Lasker-Schüler was the only woman in the inner circle of German Expressionist poetry, a Stein-esque figure in her own right who cross-dressed and ruled the Berlin nightlife. And one of her innovations was the performance of poetry that didn’t make sense.

For that reason, both she and Stein represent a proto-Dadaist spirit, even though technically Lasker-Schüler was an Expressionist and Stein was a Modernist. All the cool kids were doing it. Stein’s writing of Tender Buttons was contemporary with Lasker-Schüler’s nonsense performances, which Stein very well may have been aware of, her hyper-senses tuned to the avant-garde. Like the birth of calculus, many artists were developing similar approaches around the same time. Nonsense was in the air.

Ripped at C’s Lounge in 2003

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. Twenty years ago the Sultan of Sot visited C’s Lounge, 1419 Banks Ave. in Superior, which today is the location of a Kwik Trip convenience store. The article below appeared in the April 16, 2003 issue of the Ripsaw newspaper.]

Whenever I go to C’s Lounge — and I’ve been known to do that from time to time — I find myself baffled that I’m in Superior, Wis. Hell, I’m baffled that I’m in the 21st century. Walk into C’s and it’s like walking into Hibbing in the 1970s, not that I have any idea what that would be like. Nonetheless, that’s the feel.

The place is dark, in a good way, with amber and red lights hanging from the glittery ceiling. Everything else is either red or the color of wood. In fact, it looks and feels a lot like the Regal Beagle from Three’s Company, except that instead of spotting Jack Tripper and Larry, you’re more likely to spot middle-aged white trash.

The best thing about C’s is that the drinks are cheap and strong. It’s not uncommon for the drink specials to be something different and surprising, such as $2 Manhattans. For the domestically inclined, beer comes in big mugs for under $3. And, for folks like you and me, tap Busch Light is always 65 cents a glass. That is information to be treasured.

Tony Dierckins on Jim Richardson: “Myth-Maker”

About today’s essay, I told editor Paul Lundgren, “I love the April 1 publication date. This essay pulls back the curtain on my hoaxy stories, yet immediately discredits itself with the date. Beautiful!”

On March 31, in conjunction with the Twin Ports Festival of History, Duluth historian Tony Dierckins gave the presentation “Duluth’s Greatest Myths.” I am pleased and proud he included my Perfect Duluth Day writing in a brief mention. He was kind enough to share the slides, below. They list some of my efforts and I have annotated them.

As I told Tony, I draw a distinction between my fiction and my myth-making “essays.” Both are set in Duluth. But for instance “The Alworth Incident” presents as non-fiction, but quickly reveals itself to be a screwball superhero origin story. Maybe it could become a rumor, but it is not designed to be believed per se. However my “myth-making” material, such as Lake Inferior: The Underground Lake Beneath Lake Superior, is specifically designed to live on as urban legend. These myths have “tells” but readers may miss them. Also, I have tailored the stories so Duluthians want them to be true. Lundgren called them “Duluth fan fiction,” naming the new genre. Allowing me to publish them as “essays” aided the crime. They were also tagged as “Hoaxes – Fake News – Satire – Folklore.”

Ripped at Frozen Man in 2003

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. Twenty years ago the Sultan of Sot wrote the article below for the March 19, 2003 issue of the Ripsaw newspaper.]

One reason to be nice to your bartender is that she will likely throw a party some day, and you will want to be invited. See, bartenders are good at throwing parties because … well, they’re bartenders. They have connections to all the good drinkers, and they know who the big-time assholes are. This allows them to “cast” their parties.

The party I’m going to tonight is called “Frozen Man.” I won’t provide too many details, like the name of the host, the date or the location, because I want to be invited back next year. I will tell you that Frozen Man is held in the Duluth Township, just outside of Howdy-Dotyville, where a good bonfire/campout/drinkfest can go down without someone creating an ordinance to stop it.

The concept of Frozen Man is to drink alcohol around a fire when it’s really cold out. There are various activities and rituals and surprises throughout the night, but the main purpose is to see how much cold your body can endure before you either die, go home crying or prove you are more powerful than nature itself.

What if the South Shore was a mountain range?

A study/position paper by the Institute for the Study of Light and Water.

Any mountain building on the South Shore is to be opposed. A positive feature of Duluth’s view of Lake Superior is that Wisconsin is barely there. Lake Superior takes up almost half your view; Wisconsin (being flat) is just a thin strip between the lake and the sky. So the sky basically sits right on top of the lake. From our quaint hillside, we gaze over Lake Superior and down upon Wisconsin, that piteous, benighted state. Wisconsin presents a thin band of color: green in summer, fall colors in autumn, white or gray or brown in winter. It contains flecks of texture. But it contributes so little to the view overall, one might wish for the visual interest a mountain range could provide.

But there are benefits to Wisconsin being flat. One of those benefits is that on clear days, the sunrise immediately strikes the water with that intense glittering effect, the blinding mirror of the morning lake. But what if Wisconsin had mountains? What if, instead of an unobstructed view of the sky, the South Shore had a mountain range?

Obituary of Peter S. Svenson, Minnesota’s Rogue Historian

August 23rd 1947-January 24th(?) 2022. The historian Peter Sven Svenson died without heirs sometime last week according to his autopsy. He will be buried in Forest Hills cemetery in Duluth after the spring thaw. Speaking as one of his only friends, I have penned this obituary.

A document hoarder, Svenson was practically the state’s analog back-up brain for decades, and its conscience.

He was a popular history professor at UMD from 1973-2002. However, he tussled with the university over the legitimacy of his sources. Then they disavowed his work altogether when issues arose about his statistical analyses. Under pressure, he took early retirement, but sued the university for defamation. He lost.

Svenson went on to self-publish books, monographs, and articles, but struggled to find a paying audience. His most important work was produced during this period. Being his friend enabled my access to his research and unpublished manuscripts.

Ripped at Molly’s in 2003

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. One of Slim’s favorite old stops was Molly’s Tavern in Superior, which had a sign outside promising “dancing & sandwiches,” neither of which could be found inside. The bar closed in 2005 and later became Tower Avenue Tavern. Twenty years ago the Sultan of Sot paid a visit to Molly’s and wrote the article below for the Jan. 22, 2003 issue of the Ripsaw newspaper.]

Whenever I find myself at Molly’s, I’m usually there to “finish up.” Usually, it’s late, I’m half in the bag and I have little interest in anything other than the square foot of bar top directly in front of me — the magical zone in which I lay down money and it miraculously turns into booze. But tonight Sean the Locksmith and I end up at Molly’s relatively early in evening. And I’ll be damned if Molly’s isn’t a pretty sweet place.

This doesn’t really surprise me. I’ve heard many tales of the coolness of this bar: the cheap booze, the weird and amazing antiques scattered about, the mother of Darryl Hall’s child pouring drinks. But maybe it’s to its credit that I’ve never really analyzed it. I go to Molly’s because I want to drink undisturbed. The appreciation of the bar among homosexuals and its seedy location at the very end of Tower Avenue help to keep away most of the local dillweeds.

Avant-Garde Women: Review of the novel “Branded” by founding Dadaist Emmy Hennings

Contents
-Introduction
-The Key to Dada
-Hennings on Language
-Hennings and Expressionism
-Hennings as a Burroughsian Beat
-Technology in Branded
-The Branded Playlist

Introduction

Just last year I pointedly wondered why the books of founding Dadaist Emmy Hennings remain untranslated into English after more than 100 years. I threatened to translate them myself even though I don’t know German. Thankfully, I caught wind of a forthcoming English edition of Hennings’ autobiographical novel, Branded (edited and translated by Katharine Rout). Since I demanded translations and one appeared, now I demand this book become a film. It is Hennings’ origin story, the often hilarious tale of a proto-Dadaist navigating contradiction, absurdity, and lies.

Note from a Fellow She-Traveler

Travel days scramble my perspective. Routines, habits, and thoughtless movements slide off my character while I grasp for rudimentary survival gestures in order to hold on to my mental acuity. Or, maybe in my case, find some mental acuity.

This fall my husband and I biked through the Driftless Zone of Wisconsin while small and large events mostly pleasantly surprised us. For example, on our second travel day I was surprised by the delectability of flathead catfish. But there were also unpleasant surprises, like the fact that (future) Secession President Jefferson Davis spent time in Prairie du Chien subduing Indigenous warriors. I was also rudely surprised by a Border Collie who spent his day sitting by the mailbox waiting for just one slow lady cycler to pedal by so he could give chase. I was not completely surprised by Google maps, which couldn’t properly inform the googler on conditions of rural Wisconsin roads.

But in the midst of that day, I received lovely encouragement in the form of a note. It was from a fellow traveler. This was someone on the journey of humanity — I assume simply trying to make it easier for the next person in line. It was forged in kindness. And I noticed.

I’m showing you so you can notice the kindnesses of fellow travelers. Here’s what I saw.

Duluth View Checklist

From the Institute for the Study of Light and Water. There are three main components to your scenic view from Duluth, Minnesota: the sky, the lake, and in between those, whatever Wisconsin is doing. These components have been sorted below into color and texture for your convenience. Using the provided ingredients, you should be able to record and/or recreate any Duluth view. Print out and carry with you. Circle all that apply.

Date/time: __________

Sky Color: Sky blue. Teal. Blueberry. White. Pink. Lavender. Burgundy. Violet. Subdued sunrise/set like a natural gas flame. Blazing sunrise/set like an atomic bomb. Black. Gray. Red. Magenta. Periwinkle. Pastels. Peach. Indigo. Orange. Layer cake of colors.

Sky Texture: Cloudless. Partial cloud cover. Full cloud cover. Full cloud cover allowing sliver of sky at horizon. Fog. Partial fog. Brooding twisty clouds. Washboard/fishbone clouds. Cigar-shaped clouds. Strips of clouds like filets. Pulled cotton clouds. Clouds underlit by sun or city. Towering cloudbanks like Southwestern mesas pregnant with lightning. Two or more unique cloud layers moving independently. Crisscrossing white contrails (gold/pink at sunrise/set). Single contrail (gold/pink at sunrise/set). Aircraft. Laced with birds. Single bird. Gulls making a racket. Gulls in great gyres. Raptor/s. Sheets of rain. Sprinkles. Sun shower. Mists (glowing/not glowing). Rainbow/s. Snow flurry. Blizzardous. Big fat snowflakes practically hovering in the still air. Sleety. Full moon. Middling moon. Sliver of a moon like God’s fingernail clipping. Moonlight coming from somewhere but you’re not sure where. Full of stars. Intermittent stars. Single star. Electrifying auroras. Auroras so faint you’re not sure if it’s a thing, but maybe. Antenna farm. Antenna farm in fog. Antenna farm in deep winter frosted white against blue sky. Layer cake of textures.

Saturday Essay: Select Gems from 2022

Saturday Essay logo genericWe stand on the precipice of a magnificent achievement in the category of literary endurance. Next week Perfect Duluth Day will launch the eighth year of its “Saturday Essay” series by publishing the 300th essay. Did we think when we launched with the first essay in 2016 it would last this long? Of course we did. We like to write; you like to read. Duh.

At the end of each year we briefly rest our typing devices and look back at some of the highlights of the previous year. Last week we focused on the most read essays of 2022. This week we ignore the numbers and look back at a few select essays of similar quality that might have been missed by non-compulsive followers.

The Most Read Saturday Essays of 2022

Saturday Essay logo genericSeason seven of Perfect Duluth Day’s “Saturday Essay” series has drawn to close, and it’s time to look back with the usual popularity contest. In 2021, Jim Richardson pulled off an unprecedented sweep of the top-five most read essays; this year he remained the click hog, but holds a more reasonable three out of five works deemed by Google Analytics to be your favorites.

Next week we’ll highlight a few “select gems” judged by attributes other than page views, but this week it’s all about which ones had the most people tap the Read More button.

Ripped at My Neighbor’s House in 2002

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. Twenty years ago the Sultan of Sot spent an afternoon obstructing someone’s homebrewing plans and wrote the article below for the Dec. 25, 2002 issue of the Ripsaw newspaper.]

It all started about two months ago, when my neighbor came pounding on my door with a bunch of little pumpkins in his arms. By his report, the pumpkins had sprouted up without being planted, putting him in the unexpected position of having to come up with a use for them.

You see, my neighbor is a go-getter. He’s one of those people who actually mows his lawn, trims his hedges and shovels his sidewalk. He’s the kind of person who notices when pumpkins spring up on his property.

“Look at them. Just look at them. I didn’t even plant any seeds,” he raved to me in astonishment, as if he was holding eight little baby Jesuses birthed from the Virgin Mary’s garden. “What do you think I should do with these?”

“Make beer,” I responded, as if the answer wasn’t obvious.