The video below is from a 1960 French TV interview about Michele Bernstein’s subversive novel “All the King’s Horses”. Yes this is in French, which I cannot follow. The auto-translation isn’t much better. It’s sort of a friendly verbal chess match. At around 2:30 the interviewer asks her something about having respect for her literary forebears. She replies: “We each import our own small stone to the cathedral.” Asked what novel she can compare hers to, she replies, “I don’t know; if it is simply a novel we can compare it to all that exist.”
There is a vein of singer-songwriters I refer to jokingly as “weepy folk.”
The story of Peggy and Pegeen Guggenheim, as told by the Situationist painter Ralph Rumney, reads like Shakespeare: court intrigue, backstabbing, madness, and suicide. Rumney’s book The Consul provides a critical point of view on this fraught mother-daughter relationship cracking up at the cutting edge of the art world.
This is basically an in-joke between friends but local and fun enough to post. A diss track inspired by my short friend Bailey. She dared me to do this, is how I remember it.
Music: “Young Thug Type Beat 2018 – ‘Sippin’ | Trap Instrumental 2018” by MADEBYFLOWERZ
My favorite musicians are women. Who’s the coolest member of the Pixies? Kim Deal! You don’t even have to think about it for a second. And my favorite genre is indie rock. Indie is not major label, and not pop enough to score strings of giant hits. The term is frequently applied to punk-lineage garage-y guitar bands, but not exclusively.
The past few years I’ve discovered many indie chick rockers and all-female bands. Here are some highlights. This (not comprehensive!) list showcases indie women who play guitar or bass, either solo or in bands, who have been active in the past five years. Therefore many of my classic faves have been excluded — for instance a suite of 1980s and ’90s rockers. I will write about them one day, but here the focus is on contemporary artists.
My descriptions are fleshed out with links to music videos, interviews, rig rundowns, and live performances. This part one of two, and I plan to give Duluthians their own essay in part three. Here goes — some of my indie rock guitar goddess she-roes:
The recent passing of Eddie Van Halen reminded me of a favorite topic: the musician as inventor. I refer to the invention of objects, techniques, and concepts. It’s invention in the service of an art form. For instance, musical instruments are invented, then shaped with further inventions which make additional modifications possible. Musicians have always been inventors. Here are some of my favorite examples.
Rock and Roll Itself
The invention of rock music, with its pedigree of blues, gospel, and so on, is these days commonly attributed to Chuck Berry in the early 1950s. Berry produced the musical mutant that would conquer the world when he combined rhythm and blues with country and western guitar licks, then packaged it with guitar solos and other showmanship. His signature duck walk may be considered a lasting invention, still in use by Angus Young of AC/DC who credits Berry for, well, everything. Berry was influenced by Sister Loretta Tharpe, whose 1944 song, “Strange Things Happening Every Day,” is sometimes considered the first rock record.
Things the camera saw looking out of a Lake Superior trench.
The “impudent phallus.” Like many mushrooms, they have both uh masculine and feminine qualities; in their egg stage they are called “witch eggs.” They also have qualities of both life and death: although uh generative in appearance, they have the strong stench of carrion — which attracts the flies which spread their spores. Wikipedia entry.
