Dear J. K. Rowling,

I was so surprised to see you take such a regressive and dangerous position on the trans community in your recent tweets about the definition of “women.”

Like a lot of people, I’ve spent the past twenty or so years adoring the universe of creatures and characters you’ve created. I read your books to my son, until the day, around book four, that he was able to insist upon reading it aloud to me at bedtime. I tried to read them to my daughters, but having watched the movies during an especially virulent bout of stomach virus, wherein Dumbledore’s implacable steadfastness and McGonigal’s stern austerity were precisely what we needed as we heaved the contents of our addled bellies into buckets and ugly bowls, we couldn’t go back to the books. We’ve lived with these people you created as genuinely as if our fondness for them made them manifest: no mere line drawings or ephemeral caricatures meant to amuse and depart. We grew with them over the years, and return to them still, like visiting a distant relative’s weird and wonderful estate. I’m telling you all of this because it isn’t just the arc of each character’s story that makes them dear to us — it’s the way we’ve assimilated their stories into our own, and the ways those characters have informed our own experiences. For example, everyone in my house knows what house they’d likely be sorted into (I wish I was Gryffindor, but I’m Ravenclaw), and the ways we’d use magic, were we to develop it in the manner described in your books.

Five months before COVID-19 was labeled a pandemic, on a Saturday night back when people gathered together in public places to goof off, I drove from Duluth to Superior to attend an event called “Soup ’n’ Slides” at a place called “The Barbershop.” It might be helpful for me to explain both of the quotation-marked things.

The principal purpose of the event was for a fellow named Nik Nerburn to artistically project a bunch of 35mm slides he had found onto two screens while musicians Alan Sparhawk and Allen Killian-Moore sat nearby, collaborating to provide a live soundtrack to the slideshow. Three pots of soup simmered in the next room for anyone seeking nourishment. Put those elements together and we have “Soup ’n’ Slides.”

The event was held in an old barbershop on Belknap Street that was being used as a music and arts venue at the time simply because no one had been using the space to cut hair for profit. One room had about 20 folding chairs in it, assembled facing the performers who were set up against the back wall. The next room was about the same size, but acted as sort of a lobby. A considerable collection of phonograph records surrounded the small huddles of soup eaters engaged in casual discussion, so that they might at any moment flip through the assortment of albums and change the subject of conversation to the 1983 film D.C. Cab after gazing at the sneering Mr. T on the original motion picture soundtrack cover. And that’s what “The Barbershop” was all about.