Duluth band Syd & the Boys, featuring Sydney Hansen, have a new music video shot on the fishing dock on Rice Point that was once part of the Duluth-Superior Interstate Bridge. The video was edited by Grent Ellis Cañete, who plays guitar in the band. Other band members are drummer Ian Hopp and bassist Calvin Lund.
The song is a cover of the 1970 Velvet Underground classic “Sweet Jane,” styled after the 1988 Cowboy Junkies version.
This clip of Trampled by Turtles is from the Trampled by Thursdays concert series shot at First Avenue and streamed on Thursdays during the month of February. The shows were directed and edited by Charlie Berg. The song “Annihilate” is from the band’s 2018 album Life is Good on the Open Road.
The third Lanue video was edited by the artist herself, Sarah Krueger. The track is from the album released in February, available on Bandcamp, Apple Music and Spotify.
In this edition of the Perfect Duluth Day Video Lab we combine trail camera footage from the Voyageurs Wolf Project, which was previously posted on PDD, with the title track to Duluth band Woodblind‘s 2020 album Bluebird Day.
The original video features a vast array of critters. This trail cam happened to be a spot considered a “black bear highway,” and the happy bears seemed to need some music to dance to.
The Brothers Burn Mountain have a new single, “Honey in the Shadows.” The video was shot by Ryan Dermody. The song was mixed and recorded about an hour north of Duluth at Diarmada Studio, and mastered by Tom Garneau.
A new album by Duluth band Glitteratti is in the works, titled Rectify!
But the most important thing to know is that the first video is comprised entirely of footage from Marc Gartman’s bar mitzvah in 1987.
From the archives. Were you in attendance? Also, does anyone know where/what Samahdi Sound was in Ashland?
We miss live music! We all miss live music … right?
This will be the 11th year of 2104’s Soup Social, dubbed #SoupB4Supe. Last year we were forced into the Live Stream gig … and now Bryce Kastning and I, also with support from a few others, have been producing Music Live Stream’s since April 2020. If you haven’t listened to our streams … you can pick them up as often as you want, they are at youtube.com/duluthiscool or 2104.us. As of this writing, we have created 22 streams from 2104.
Duluth’s Cameron Mathews performs a preview of a song from the upcoming Life Parade album.
Music video for “What I Love the Most” below the fold.
The second video from Sarah Krueger’s new music project Lanue was edited by the artist herself, mixing her own footage with clips from the public domain. The Lanue album is available on Bandcamp, Apple Music and Spotify.
Duluth’s Cory Coffman has released the third music video promoting his 2020 album Canvas and Color.
Videography by Alyssa Johnson of Blind Spot Creatives. Editing by Mason Lehto.
Teenage Prayers photo by Orianna Riley from PopMatters.
Teenage Prayers is a band from my days in college radio in Milwaukee. KUMD and KUWS approach the college radio vibe, but in the 1990s, college radio was a thing, and Teenage Prayers was a part of the thing.
One listen to the opening of The Duluth Local Show on the Current and a person gets a sense of the folksy, wholesome veneer the city imparts to its people and out of towners alike when it comes to its cultural musical identity. It’s the birth place of Bob Dylan, in case you didn’t know. But, just beneath the woodsy surface and what hides in so many of the homes in the Hillside above Bob Dylan Way, gulp, are an impressive number of artists plugging in synthesizers, drum machines, samplers … oh my!
Check out a little dueling mandolin action from Trampled by Turtles‘ “Trampled by Thursdays” at First Avenue, directed and edited by Charlie Berg. Each Thursday at 8 p.m. during February, TBT is performing online concerts from the famed Minneapolis venue. Each set has full production and behind-the-scenes footage.
Tickets are available at boxoffice.mandolin.com. A portion of each ticket/bundle sold goes toward Save Our Stages to help independent music venues hit hard during the pandemic. Each ticket purchase let viewers watch as many times as they like for 48 hours after the premiere.
