One of the means of control my father used in his abuse (of my mother, my sisters, and me) was what I have come to think of as the “Public Complicity Trick.”

I’m going to describe this trick from my childhood, though I am a man now and it happened decades ago, because I need to speak about how I’ve seen what seems to be a similar effort recently from a man who I once thought of as a friend. This person chose to call into the podcast of a prominent national celebrity to enter the public sphere of discussion about cancel culture. I won’t repeat the details of his call; Allison Morse has outlined that story.

When I was young, my family would sometimes be out somewhere in the community, and my father would launch into one of his Big Lies. He would tell a friend about some great thing he had accomplished in his younger days—being a champion boxer in the military; or he would tell the head of the small-town Nebraska volunteer fire department that he had saved three people from a fire while serving as a volunteer during one of our cyclic moves between Texas (where he was from) and Nebraska (where my mother was from); or he would tell some new acquaintance from the evangelical church about a vision he claimed had helped him kick drugs and booze. (That brings back my memory of finding his jar of black capsules of some drug—not a prescription—in the kitchen cabinet when I was about 10. I carefully opened each capsule, dumped the powder down the drain, and closed the empty capsules to return them to the jar.)

“The concept of smellscapes suggests that, like visual impressions, smells may be spatially ordered or place-related. It is clear, however, that any conceptualization of smellscape must recognize that the perceived smellscape will be non-continuous, fragmentary in space and episodic in time, and limited by the height of our noses from the ground, where smells tend to linger.”
—Douglas Porteous, “Smellscape,”
The Smell Culture Reader, edited by Jim Drobnick

My neighbor’s yard is a source of olfactory joy for a short time each summer, and a source of olfactory misery for most of the rest of the year.

In early summer, when lilacs explode in this Lake Superior latitude, for a few weeks the bush just across the property boundary serves as the star of the local smellscape. I sit on the small patio I built and bathe in the glory of the perfumery. Then, all too soon, the flowers give way to small, hard green seeds, and the smell goes where all smells go, into memory.

My grandmother, an immigrant from Belgium, gave me a thick, crocheted afghan in my senior year of high school. I’m fifty years old now. I still have it. This black, white and gray acrylic afghan—one among hundreds she gifted family members—holds in its hooked stitches the last breaths of the life that she wove into mine. I don’t keep it on my bed today, but my kids will have to figure out what to do with it when I die; I won’t let it go during my lifetime.

Families are big and complex. They can gift us things we don’t understand until many years after they are given. I had the great fortune of living in Omaha, Nebraska, with my grandmother during my junior and senior years. She was in her seventies, alone, and no longer able to drive because of deteriorating vision. I was a grandson who desperately needed refuge from an abusive dad. I’d lived with an aunt and uncle for the second half of my sophomore year. They had already raised three children from another aunt (a story for another time) and had three of their own kids at home. They both worked—he was a cop, she was a secretary. Even then, in the early 1980s these were not high-paying jobs.