Well, it looks like it’s finally going to be legal to smoke weed for funsies in Minnesota, which is terrific news for all of the people languishing in jail for smoking or dealing weed for funsies in Minnesota. Law is the ultimate example of the abject arbitrariness of reality: we have an entire system of rules and consequences established around the specious assertion that smoking weed, and all practices associated with it are, well, objectively bad. And not just rules and consequences, an elaborate — and until very recently, shared — ethos that avers a deep and persistent truth: using marijuana is dangerous and wrong. What a hoot.

Being a human is such absurdity, most of the time — how does anyone keep a straight face? Like so many of you, I have struggled with some of the more frittersome or idiosyncratic morae introduced as inalienable verities: men do this, women are that, and you’re either one or the other; these are the ways we cover our bodies with cloth, but these ways are terrible and wrong; these animals are great to eat, but these ones are friends … Sometimes, the whole world seems like a very elaborate game of make believe we’re all playing together. Through the right lens, even the houses we live in, with two sinks in the bathrooms, secret refrigerators, walk-in closets — it’s all like some fantastical fever dream.

It was his 73rd birthday. He’d been taken into inpatient psychiatric care the night before, a phone call I had received while out at a bar with a group of friends. We were watching a Minneapolite musician, Dessa, play at Pizza Lucé in downtown Duluth. I liked Dessa’s music, but I really liked her writing. She’d detailed her experience rewiring her brain to forget a dangerous, almost obsessive love affair: the mechanics of love, told in poetry and electromagnetic imaging. Before the psychological intervention, she said, she had a kind of wild and inevitable connection to this man who could not be trusted with her heart. They were incendiary together, in good ways and not: a fire started with a glance, burning down the house with everyone inside. I’ve never had a love like that, but I could feel it anyway — her despair, her passion, and the terrible realization that whatever was happening in her was above or beneath her conscious mind, scratched into her whole brain. Every thought she had about anything traversed the rough path of that scratch — removing him from her heart was reductive: she needed to remove him from the apparatus of her Self, the thing that made her her.

I didn’t understand why this was so moving to me at the time, but now I do.

All names have been changed in this essay, not for each person’s privacy — just for fun.

I’m under the impression, based on the stunning aggregate of books, songs, poems, movies, and even body sprays about the subject, that I’m not the only person who truly was at a crossroads at age 17. By way of possible explanation, for many more years of my life than I’d like to admit, I labored under the very firm and very erroneous impression that I needed to be perfect in order to deserve love. What is even more absurd is the fact that, to preserve this external façade of imperturbable perfection, I believed I had to hide, disguise, or elaborately lie about most of who I was.

But by 17 years old, this had reached something of a fever pitch, the world having grown so much more complex and rife with nefarious but terribly desirable options. For example, I was a newly-minted cigarette smoker, having discovered that cigarettes were the missing piece in my anxiety repertoire. They created a self-reinforcing feedback loop in my neuronal network in which I smoked to relieve anxiety, and then smoking made me more anxious — a glorious oscillation that kept me jangly and on the edge of my seat, but also hiding episodically in the Harbormaster’s bathroom during school lunch to smoke, so no one would know I was a smoker.

When I was small, I realized a very important facet of my station as a fully-dependent human child: I was not the master of my own fate. My eating, sleeping, bathing times and locations were entirely regulated, along with the clothes I wore, the foods I ate, and the people with whom I was allowed to visit. I was basically a tiny prisoner in some posh minimum-security facility, like a diminutive swanky corporate tax evader or miniature ponzi schemer.

Nobody told me this: I just figured it out. After all, the evidence was overwhelming. For instance, I had no desire to clad my lower half in rust-brown Toughskins pants with knees so reinforced they made me look like an elementary-school robot made of corduroy.

And turtlenecks. Fucking turtlenecks. Every kid wearing a turtleneck looks like they’re being Raleigh St. Clair for Halloween, and no kid is ever being Raleigh St. Clair for Halloween, and do you know why? Because no kid has ever heard of Raleigh St. Clair. Additionally, for the whole day, it feels like maybe you are coming down with a sore throat — a sort of gentle squeezing all day long (or, as the brilliant and departed comedian Mitch Hedberg said, “like you’re being choked by a really weak guy”). I did not choose and would not have chosen that ensemble. I wanted to wear flouncy dresses and sparkly cowboy boots. Sadly, my father had determined that dressing like a Barbie would make my brain stop growing, so really, the Toughskins were for my own protection.

It started about five years ago with an ordinary stomach ache after eating late and poorly — a speedy meal en route from a client visit in Wisconsin with several coworkers. I felt like maybe I’d eaten something that disagreed with me, and thought really no more of it. Except, I kept getting sicker.

That night, I thought certainly I’d vomit, or at the very least I’d spend a not-inconsiderable portion of my evening in the bathroom. No such thing occurred, but the discomfort in my body continued. My gut felt raw and painful, as though I’d consumed many cups of coffee on an empty stomach, and my stomach filled with what I thought was gas, except it was in a really weird spot. Rather than the typical lower abdominal fluff of my lengthy experience with daily human digestion, this bloating was in my midsection, between my belly button and sternum. I felt like someone had filled me to painful expansion with air. It felt like something inside of me might tear or burst.

Over the next three weeks, it got slightly worse, and slightly better, depending on conditions I couldn’t plainly discern. I made an appointment with my general practitioner, an allopath I trust and respect. As I prepared to head to the appointment, I said to my husband, “This is crazy! I can’t believe I’ve been this sick for three weeks!” What a mouthful of macabre prescience: I would remain that sick or worse for the next two years.

Dear J. K. Rowling,

I was so surprised to see you take such a regressive and dangerous position on the trans community in your recent tweets about the definition of “women.”

Like a lot of people, I’ve spent the past twenty or so years adoring the universe of creatures and characters you’ve created. I read your books to my son, until the day, around book four, that he was able to insist upon reading it aloud to me at bedtime. I tried to read them to my daughters, but having watched the movies during an especially virulent bout of stomach virus, wherein Dumbledore’s implacable steadfastness and McGonigal’s stern austerity were precisely what we needed as we heaved the contents of our addled bellies into buckets and ugly bowls, we couldn’t go back to the books. We’ve lived with these people you created as genuinely as if our fondness for them made them manifest: no mere line drawings or ephemeral caricatures meant to amuse and depart. We grew with them over the years, and return to them still, like visiting a distant relative’s weird and wonderful estate. I’m telling you all of this because it isn’t just the arc of each character’s story that makes them dear to us — it’s the way we’ve assimilated their stories into our own, and the ways those characters have informed our own experiences. For example, everyone in my house knows what house they’d likely be sorted into (I wish I was Gryffindor, but I’m Ravenclaw), and the ways we’d use magic, were we to develop it in the manner described in your books.

The mud in Southeast Alaska is everywhere. From Vancouver to Skagway a lush, near-ostentatiously green forest covers every conceivable surface with a teeming, tumbling, vulgarity of foliage. The Tongass National Forest is like a skunky Eden, ancient pine and spruce trees standing clustered tight as hair on a head, their verdance made that much more outstanding by the complement of thick, gray sky. It’s a North American rainforest. It rains 300 days a year, in one fashion or another, in my hometown. If the Inuit people have more than 200 words for the various elegant permutations of snow, the fishermen in Southeast Alaska have half again as many swear words for rain.

There is the putative rain that everyone knows, a tumbling shower from amassed clouds, a mixed blessing of ruined hairstyles and refreshed lawns. Then, there is the torrential downpour, bending fat blossoms under the combined weight of nectar and water, cracking peony stems and laying ferns flat against the ground like splayed bodies clinging to the surface of the earth. Drizzle — the most onomatopoeic word for a weather phenomenon, that half-hearted report from the heaven that everything, everywhere is gray and dull — is the meteorological equivalent of “meh,” spelled in water. But there is another type of rain, a sort of surreptitious precipitation that starts as gentle and refreshing as the misty spray from a waterfall, tiny cool droplets tickling the skin and seemingly innocuously disappearing. But there, along your eyebrows, a heavy bead of water leans ominously toward your eye, the ponderous descent changing its trajectory to head it straight along your nasal fold into your mouth. And there, along your temple, droplets as sure and regular as cold, portly beads of sweat begin to accumulate and race down your face into the neckline of your inadequate sweater. And your sweater! Wool and practical, has suddenly gone from misted with tiny, fruit-fly-sized droplets to saturated, impregnated on the very molecular level with water. Water fills your boots this way. Water drips from your nose like a dysfunctional faucet. Water drips between your teenaged breasts and makes the underwire of your bra cold and wretched. By the time you get to school, just a 30-minute walk — you are as wet as a newborn calf, and every bit as disoriented and gangly.

I have moved a lot of times. Like, a witness-protection number of times. By the end of my freshman year of high school I had moved across the country eight times — twice in that one school year alone. I whipsawed between various small communities in Maine and Alaska, spending the preponderance of my time in Alaska.

But 1988, my sophomore year, was a real cake-taker. I lived in three different cities, and attended two separate high schools in two states. I moved from Juneau, Alaska to Kennelwick, Maine in early November. Kennelwick is not a real place, by the way — just in case I inadvertently reanimate anyone else’s decades-old trauma.

Changing schools in November is like showing up for a surprise birthday party at the same time as the birthday girl. It doesn’t matter why you’re there, or how awesome you are, you’ve arrived with such impossibly shit timing that literally no one is happy to see you. To whit: The school year was well underway and the brutality of the initial social sorting process was fading, but the blood was still drying. The cliques had already galvanized, defensively, prepared for the inevitable breakups and infighting bloodshed typical of a closed, captive society. High school is like the Thunderdome, only with less clothes made out of human skin.

All names in this story have been changed. You know, just in case.

In my hometown of Petersburg, Alaska, there is one road that stretches from one end of town to the other, traversing but not circumnavigating the island on which my hometown is located. I think generally people tend to think of islands as little round circles of land in the ocean, which one might conceivably drive around and around forever, like a brass ball in a roulette wheel. But that’s not how things are, and islands are often shaped inconveniently, or pockmarked with gigantic mountains or bodies of water or even volcanoes, which can make logical traffic accommodations wacky. Anyway. In Petersburg, the road goes from one end of the long, arrow-shaped island to the other. This straight-line trajectory has even led locals to refer to driving toward the rural end of the island as “going out the road.” Interestingly, the city limits do not extend to the end of the road, but rather, end some several miles earlier. This means that the city police cannot legally enforce the law beyond those city limits, creating a kind of rogue, lawless wilderness on one end of the island.

This is, as you can likely imagine, terrific news for teenagers.

I still own all the underwear I’ve ever bought, probably. Like, 85 percent of it. But why? you might legitimately ask yourself. The answer is simple. Underwear is inexplicably expensive. And it takes a long time to wear out, since I don’t do very many things that would cause excessive wear-and-tear, like, say, a lot of butt-scooting on the carpet or skivvy-only horseback riding. I know I’m not alone in this, because over the years I’ve shared this fact and discovered that pretty much everyone is stockpiling ancient underwear.

As a result, I own underwear that is so old that it’s vintage — essentially archaeological artifacts. I’ve got garden-variety skivvies, of course, but I also have floppy and faded high-cut bikinis from 9th grade, lady boxers whose elastic waistbands announce their brand affiliation, and transparent lacy stretch briefs that make my ass look like a low-rent bank-robber. What I don’t have is g-strings. Not anymore.

Ahhh, the g-string. The g-string came to popularity in the late 1990s, first on strippers, then on twenty-somethings, and then, finally, on Donna, the 60-year-old cashier at ShopKo who is suprisingly racy and not interested in what you think about her undergarment selection, thank you very much and have yourself a lovely day minding your own fucking business.

Just about a year ago, I wrote an essay detailing my own reasons for abstaining from alcohol. (If you’re also a stickler for reading a series in order, you can find “1,186 Days” in the archive. Don’t rush. We’ll try not to get too far ahead before you rejoin us.) It was a relief to talk about it, frankly, having stewed it over for a few years. It was also surprisingly cathartic to put it on paper, since it was substantially more chaotic swirling about my brain box than it was organized and detailed in that essay. Ah, the curious, inscrutable liberation of constraint.

Before I published it, I labored for months over the implications of my admissions: would friends judge me? Would they rewrite the stories of our relationships with this new information, indelibly staining our shared moments with my arrival at this murky end? Would they see evidence in my behavior, view our debaucherous moments with hindsight bias, convinced they could see now the unfortunate trajectory that would lead me to quit drinking? Would they feel weird around me? Would they glumph me into the world of addicts, a ticking time bomb that might dive headlong into a vat of gin and tonics and never resurface? Would I lose friends? Job opportunities? And did any of this matter to me, really? Because in this case, the truth was the truth. The only variable was other people seeing me as I actually was. So I published it.

Tig Notaro famously did a stand-up routine in which she announced she had cancer. It was lauded as one of the most incredible moments in stand-up history, and she was extolled as a pioneer in comedy for really working the fine edge of the tragedy + time = comedy equation many comics venerate as the best method of joke construction. I’ve listened to the routine — it’s as good as it’s rumored to be. Better, maybe, because of Notaro somehow putting into the fewest possible words the absurdity of human life in an undeniable way. A laser cut around the heart, but in the shape of a fart.

In this magnificent routine, Notaro jokes that people always say that “God never gives you more than you can handle,” and then goes on to imagine the angels watching God handing down Notaro’s few months of life, questioning God’s sobriety: in just a few months, Notaro almost died from an intestinal infection, her mother died in a household accident, and then she was diagnosed with advanced breast cancer in both breasts. The space between these events was long enough for her to make the phone calls necessary to tell anyone that one of the things had just happened. It’s preposterous. And inexplicably shitty.